Gertrude Stein was at first not interested in this group of painters as a group but only in the russian. This interest gradually increased and then she was bothered. Granted, she used to say, that the influences which make a new movement in art and literature have continued and are making a new movement in art and literature; in order to seize these influences and create as well as re-create them there needs a very dominating creative power. This the russian manifestly did not have. Still there was a distinctly new creative idea. Where had it come from. Gertrude Stein always says to the young painters when they complain that she changes her mind about their work, it is not I that change my mind about the pictures, but the paintings disappear into the wall, I do not see them any more and then they go out of the door naturally. 淎ustralia擨 have never been there,?he said, musingly. 淎nd do you like England攚hat you have seen of it, Miss Chetwynde?? One cold dark afternoon she went out to sit with her ford car and while she sat on the steps of another battered ford watching her own being taken to pieces and put together again, she began to write. She stayed there several hours and when she came back chilled, with the ford repaired, she had written the whole of Composition As Explanation. 檓 afraid you are getting cold, Lady Wyndover!? 淎nd you own all this??she asked, pausing to look round. 淎ll the houses, all the farms, and the people?? 我要看A级毛片_欧美图片 At Flightshot Manor comment was more enlightened. That was the end of the conversation but a beginning of an important part of The Making of Americans. Upon this idea Gertrude Stein based some of her most permanent distinctions in types of people. "Yes, I dare say." "This mortgage business alters 'em a bit. I'll have to think it over. Maybe I'll let you hear to-morrow mornun."